Category Archives: Blog articles

Pop Art – vamp up your vintage theme!

Your London Wedding Magazine has just featured our 1950’s bridal shoot, a shoot I did for Amelia Barnes (organiser of Miss vintage wedding Affair) – fantastic to see it in print. Amelia brought together some very talented suppliers from the wedding industry for this shoot at the Grand Hall of Battersea Arts Centre – so if you’re a bride on the outlook for a touch of vintage, it’s well worth to have a look through the credit list at the end of this post. So here it is, a bridal shoot that vamps up the vintage style with some bright techni- colours, and has fun with the era of Marilyn Monroe. Pick up the latest issue of YLW Magazine to read more about Amelia’s thoughts behind the shoot. Ok, I’m gonna get to it – I’m gonna share some shots. Enjoy and hope it inspires!

xx Louise

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Photography: Louise Bjorling

Assisting and extra detail shots: Cecelina Photography
Venue: The BAC, London
Styling: Amelia from Miss Vintage Wedding Affair
Styling Assistant: Veronica Ballard Weddings
China & Sweetie table: Vintage Floral Teas
Cake : Temper & Tipsy
Stationery: Lucy Says I Do
Props: Re-Loved Styling
Flowers & Heirloom Bouquets: Muscari Whites
Bespoke Dress: My Eden
Vintage Dress: My Vintage Wedding Dress
Make Up: Sam Pearce
Hair: Lucy Hayward at Hair That Turns Heads
Accessories: Connie & Dolly
Fine Vintage Jewellery: Addy Vintage

Model: Megan McConnell

More from our vintage editorials:

Behind the scenes 50s shoot

The 1920′s bridal shoot

Cecelina’s 1920’s boudoir shoot


Good evening to you all,


I thought that today would be a fantastic day to talk a bit about how the professional wedding photographer process your wedding images in this digital age, before delivering them to you as digital files in high image- quality. You have very likely come across expressions such as “image editing” or “all post production time included in package” when browsing different photographer’s web sites. But not being a photographer yourself, it might be difficult to comprehend exactly what this means. So I thought I’d shed some light on that for you today!


What is “post production” ?


Post production can easiest be explained as the term which embraces everything that the photographer would do with your images after the shooting stage at your wedding, such as:


  • Downloading all the images from the camera, go through them and delete the ones that don’t make it for the final selection.
  • Open your images one by one in their professional photography software and for the photographer to apply their own personal post production techniques – or with other words “to process your raw files in to final images”. This is also called to apply “the signature editing style” amongst photographers and is very personal to each photographer, since it is their “stamp” on their work and every editing technique has been developed and personalised by the photographer him/her self, and may entail years of perfecting different skills.
  • Apply “retouching” which is a more detailed work of individual images and includes actions such as retouching of the skin, removing something (like a sign for example) from the picture, or add something to the picture, etc.
  • Give all your images suitable file names, apply the correct profiling and write all your files to a disc or a memory stick.
  • Perhaps upload copies of your images for a personalised online gallery, or create a gallery on your disc/memory stick.


What is “image editing” ?


Image editing is probably one of the most important steps in the post production process for professional wedding photographers. And this is such an important process, since it totally sets photographers apart from one and other! I’m not going to go too much in to detail, simply cause I can’t – there are probably a million ways of editing images, which is why each photographer has developed their own unique style. But these are what I would call the main principles behind image editing:


  • When the photographs come out of the camera they are in so called “Raw files”. The raw file has a certain amount of information in them, depending on how well the shot has been executed. The photographer can adjust the image, with the information that is in the file – easiest explained is that the photographer can adjust exposure, colour, sharpness, etc – but there are very varied techniques for all these adjustments, so these things can be done in very professional manners as well as in very basic ways.
  • Editing is not just about “fixing mistakes” which people sometimes presume it to be. Editing is much more about processing a shot according to a photographer’s own style and using the information that is in the shot already – it all goes together: the photographer already knows that if he/she uses the light and composition a certain way when taking the shot, then certain settings will work afterwards to bring things out of the shot. So the editing is more in symbiosis with the shooting style, rather than a “fixing of mistakes”.
  • Image editing is also used to “fix mistakes” of course, or to help photographers when a shooting situation has been close to impossible – such as for example bringing the exposure up afterwards, from a pitch dark ceremony where no flash was allowed.
  • It’s during the editing stage that images can be turned in to black and white as well. You probably won’t believe it, but there are actually so many ways of making an image black and white. Again the photographer will use certain techniques to make the image “pop” in their own style, and create a certain “black and white look” for your images.


Image editing has always existed! And has always been an important part of the process…


Image editing is actually not something new that suddenly happened with the digital revolution. Before photography became digital, cameras where loaded with negatives and once the negatives had been processed, photographers would expose light through them and this way create an image on to paper. But it wasn’t simple as that – there where actually loads of techniques to it…


  • For example, photographers used to cover some parts of the paper to expose some parts of it for longer and some parts of it for less time, in order to make some parts of the image darker and other parts lighter.
  • The light inside the actual easel that exposed the light had different settings to it! So the photographer could make the picture look more “mild” and flat or set the light to make the photograph extra contrasty.
  • In fact, the very “top pros” where experimenting with different techniques on to one and the same piece of paper, really bringing out the details in the shot.
  • Also of course, all different types of film had different features. You could choose a certain film already in advance – some film might have a more magenta tone in the shadows, while some where more bluish or green, some would be more contrasty and others more flat and natural – then there was the slide film for achieving a strong colour punch. Also B/W film had their different properties when it came to contrast and grain, and just by choosing a certain speed of the film, the colours and grain might totally change. (Today the choice of film has disappeared – all photographers have RAW files which are fairly similar to one and other across the different professional digital SLRs – but with post editing techniques, digital images can be brought closer to the different results that where available with film)
  • Once shot, before getting in to the light room to expose light on to the negatives, the negatives had to be processed in chemical liquid, and even here the photographer could add their artistic mark! They could let the film expose for longer or less time than recommended to get a certain look, or the film could be cross- processed to come out with colours that where “off” or opposing to how it would naturally be.
  • When it comes to colour photography, each and every colour could be worked at in a photograph for hrs through the machines in the dark room, to get the right shades that the photographer was after.
  • Then after everything had been processed and printed, there is yet another step that the photographer could take to add their artistic mark: tinting of the actual print to get a colder or warmer photograph.
  • Even way back in the day, before colour photography even existed, photographers would paint negatives with actual colours before exposing them to light on to the paper – and this way create photographs in colour!


What is “Retouching”?


To retouch an image is to work on an image a little bit more ” abrasively” and make actual changes to parts of the photograph – most commonly using tools in Photoshop. Examples of retouching would be:


  • Take out/ tone down aging skin or acne.
  • Tone down the look of tiredness and red eyes.
  • Make people slightly slimmer
  • Take objects/obstacles out that seem to be included by mistake – for example a sign
  • Add something to an image
  • Add effects


In recent trends the retouching of photographs has actually trailed off a bit, compared to a few years ago. It is no longer trendy to kill all the details in the skin, making the bride look like a doll, or to add loads and loads of false vingetting (dark borders or round edges inside the image), or to turn everything in an image into black and white – while keeping just one details such as a flower in colour. And not every photographer will take out a glowing exit sign. At the moment modern wedding photography steers towards either a natural or a fine art look – with changes or adjustments blending in and being tasteful rather than being easily spotted and look fake.


So to conclude…


I hope that this article has helped sort out the different terms a bit with regards to post production in wedding photography. The most important points that I would like to put across, is that the elements of post production are absolutely vital in professional wedding photography. It’s not something that “bad” photographers do to save “bad” images. It is something that professional photographers do to complement their photography style and artistry. And actually, it is something that has to be done to your photographs to make them ready for professional printing! As history shows us, the photographer has always put their artistic marks and “edited” the images even before digital age. A Raw file that is just converted in to a Jpg for you without any editing, is in a sense less advanced than a negative was 10 years ago – since it wouldn’t even have any of the individual qualities that camera- film used to have. (As mentioned above – now in the digital age, these qualities has to be added afterwards in the actual editing process.) So editing in the digital camera age is highly vital. To conclude, the most important reason for image editing, is for the photographer to enhance and put their style across: “The signature style” of each and every photographer is: Their shooting technique combined with the techniques they use for image editing.


How much time a photographer spends on the post production process, and what level of skills are used for your images is up to each individual photographer and their professional level. There are photographers who spend 5 hrs on the post production from a full day wedding, and there are other photographers who spend 50 hrs or more. Of course, when you look at different photographers, you will probably be able to tell that there are different levels and styles for post production. Judging by different price levels available in modern photography – you will find evidence that everybody set aside different amount of time and use different sets of skills for your photographs. I hope you’ve enjoyed the article! And if you have anything you’d like to ask me, I’d love to hear it – please just click on the link below, to pop me an email.


xx Louise


Send through a query or enquiry!

I’m a contemporary wedding photographer based in London. And I sometimes also write articles! Having completed 4 years of professional photography studies in 2008. I studied photography just as film and digital where crossing over, and was jumping between darkrooms processing film – in – to – negatives – in – to – prints the old school way – and being behind a computer, learning the skills for modern digital editing. It was really interesting for me to see how the Modern and Old school techniques actually aims to do the same a lot of the time, which is why I wrote this article – and hopefully this will give you more of an understanding for what image editing and retouching is in modern wedding photography.

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Morning everyone,

Are you by any chance on the outlook for tips, on how to get the best wedding photography for your day? In that case, head over to my series of articles which I wrote for English wedding Blog this spring! This series of 3 articles will give you advice on how to find the right photographer for you and how to prepare to be photographed – all with the end goal of being relaxed and get the best shots when the day comes…


Chapter 1: How to find the wedding photographer for you

article-best-wedding-photography-london1: This chapter will give you loads of tips on where to find your photographer, how to compare different photographers and how to understand and recognize that photographers have different styles. With different image examples from my portfolio, I’ve aimed to clarify what to look for – to make it easy for everyone to understand how every photographer have their own way of using angles, light, and composition to tell your story in images. It also gives you an idea about how photographers will post- process your images in their own signature style – how black and white can have different looks, as well as how colours can be processed in several different ways – some people will prefer natural and crisp, others saturated, yet others subdued colours or a vintage look. It’s important that you find a photographer, who’s style and creative process you know will cater for what you like! This chapter also really stresses how meeting your photographer in person when booking, really is advisable. (Unless of course, you already know one and other – perhaps from meeting at a previous wedding) It’s important to meet your potential photographer and know that you can relax with their company. This is also your chance to see their images actually printed – a way for you to reassure that those lovely shots online really looks that nice when printed in high resolution as well.

CLICK TO READ THE FULL CHAPTER 1 on the English wedding blog


Chapter 2: How to prepare yourself for the photography on your wedding day

This chapter is a good read for you people who have now found your photographer – with loads of advice on how to prepare yourselves for the photography on your wedding day. The most important advise I can give, is to pre- visit the venue together with your photographer. This is the perfect opportunity for you to brain storm ideas with each other, look at different locations, find back up locations for if it rains etc. I also give some advice on how you can show your photographer images that you really like, so that the photographer better understand your tastes, and how it is best that you share any secret surprise moments that will happen on your day, with your photographer. (This way your photographer will be prepared and in the right place to photograph it) Another fantastic thing to do which you will see examples from in chapter 2, is to have an engagement portrait shoot with your photographer. This will definitely prepare you to be photographed on your day and get you relaxed with having your photographer around.

CLICK TO READ THE FULL CHAPTER 2 on the English wedding blog


Chapter 3: The wedding day with your photographer

Here follows some advice on how things might run on the day with your photographer. Most importantly, you want to be able to relax and know that the photographer is getting the shots. So here follows some advice on things to be aware of – such as how the photographer needs to know of any itinerary changes, some information about how the photographer might need a bit of time for certain shots or for changing things with their equipment, etc. And some advice on how to keep an open mind for suggestions and sudden inspiration.

CLICK TO READ THE FULL CHAPTER 3 on the English wedding blog

Thank you for reading this article, which is part of a series written for

the English wedding blog. (All text and photography by Louise Bjorling)

I hope it gave you some ideas when preparing for the photography on your day!